Gordon
1547.M37
Marguerites
de la Marguerite des princesses tresillustres royne de Nauarre.
Author: Marguerite,
Queen, consort of Henry II, King of Navarre, 1492-1549
Publication info: A
Lyon: Par Iean de Tournes, 1547.
Description: 2
v. in 1: ill.; 18 cm. (octavo)
|
|
Title
Page of the 1547 edition |
| |
 |
Published
in Lyon by Jean de Tournes in 1547, this edition of the Marguerites
provides a beautiful example of the italic type designed by Robert Granjon.
One of the most influential of the Lyonnese printers, Jean de Tournes used
Granjon's types with the illustrations and ornaments by Bernard Salomon
to produce some of the most beautiful books of the French Renaissance. Salomon's
woodcuts illustrate "La Coche" and he designed the arabesque ornaments that
grace many pages of the Marguerites and lend elegance and originality
to this and other works published by Jean de Tournes.
|
|
|
Le
miroir de l'âme pécheressse |
| |
 |
(page
15 - first page of the poem)
The presence of
embellished initial letters was a carryover from the era of illuminated
manuscripts. The first letter in each of the poems of this edition of
the Marguerites is treated in this way. For a discussion of the
initial and its symbolism in the poetry of Marguerite de Navarre, see
pages 99-103 in The Grammar of Silence (Catholic U of America P,
1986) by Robert Cottrell.
|
| |
 |
pages
68-69
The
marginal annotations here and elsewhere were added by the editor and printer.
Here the notes indicate the text's allusions to the letters of St. Paul.
|
| |
 |
page
265 (first page of the poem)
The woodcut illustrations
were the work of Bernard Salomon. When making the woodcuts, Salomon
reportedly followed the captions provided by Marguerite herself in the
unillustrated manuscript copies of the text to indicate what she wanted
represented in the illustrations that were to be added later. (For
more on this, see Marichal's critical edition of La Coche and Robert
Cottrell's discussion of the interplay between text and "graphic encodement"
in the Grammar of Silence (Catholic U of America Press, 1986),
p. 234-241.
|
| |
 |
pages
318-19 (text, with woodcut of "la coche")
|